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Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 3<\/p>\n <\/div>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n Bali Story<\/p>\n <\/div>\n ECCI00016548, CH073<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 1<\/p>\n <\/div>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n Bali Story<\/p>\n <\/div>\n ECCI00016549, CH073<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 1<\/p>\n <\/div>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n Bali Story<\/p>\n <\/div>\n ECCI00017286, CH154<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 9<\/p>\n <\/div>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n Bali Story<\/p>\n <\/div>\n ECCI00017291, CH154<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 7<\/p>\n <\/div>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n Bali Story<\/p>\n <\/div>\n ECCI00017295, CH154<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 4<\/p>\n <\/div>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n Bali Story<\/p>\n <\/div>\n ECCI00017288, CH154<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 5<\/p>\n <\/div>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n Bali Story<\/p>\n <\/div>\n ECCI00017278, CH154<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 1<\/p>\n <\/div>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n Bali Story<\/p>\n <\/div>\n ECCI00017293, CH154<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 1<\/p>\n <\/div>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n Bali Story<\/p>\n <\/div>\n ECCI00017287, CH154<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 22<\/p>\n <\/div>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n Bali Story<\/p>\n <\/div>\n ECCI00017500, CH035<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 1<\/p>\n <\/div>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n Bali Story<\/p>\n <\/div>\n ECCI00017284, CH154<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 1<\/p>\n <\/div>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n Bali Story<\/p>\n <\/div>\n ECCI00017290, CH154<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\tPalace [...]\/[Charles Chaplin]<\/h2>\n\n
Why do you think she is going around\/[Charles Chaplin]<\/h2>\n\n
And which was approved and passed [...]\/[Charles Chaplin]<\/h2>\n\n
Automobile scene on the way to the palace [...]\/[Charles Chaplin] [Bali]<\/h2>\n\n
Bali, the last paradise of the East Indies [...]\/[Charles Chaplin]<\/h2>\n\n
But we grew rice on these fields [...]\/[Charles Chaplin]<\/h2>\n\n
Dissolve into Palace\/[Charles Chaplin]<\/h2>\n\n
F. : What I do for you\/[Charles Chaplin]<\/h2>\n\n
Father, Turning to servant [...]\/[Charles Chaplin]<\/h2>\n\n
Mana I love you [...]\/[Charles Chaplin]<\/h2>\n\n
Mother : Mana's s strange girl [...]\/[Charles Chaplin]<\/h2>\n\n
That\u0092s what I call rugged individualism [...]\/[Charles Chaplin]<\/h2>\n\n